Den Fokus auf die geliebten sechs Saiten hat der 55-Jährige nie aufgegeben, und das seit 2005 wieder in Originalbesetzung aktive Trio war dafür das perfekte Vehikel. die Indierock-Szene mit Gitarrensoli, ja sogar mit langen Gitarrensoli, versöhnte. They have a signature sound as sure as the Stooges or Sonic Youth or Discharge ever did. Mascis, der mit seiner 1984 gegründeten Band Dinosaur Jr. But there are very few moments where you wouldn't know you were hearing Dinosaur Jr. Lou's songs here are as elegant as always. As is typical, Lou Barlow writes and sings two of the album's dozen tunes and Murph's pure-Flinstonian drumming drives the record like a go cart from Hell.
Indeed, Sweep It Into Space is a very cool album. The only extra musician used this time with Kurt Vile. Recorded, as usual, at Amherst's Biquiteen, the sessions for Sweep It Into Space began in the late Autumn of 2019, following a West Coast/ South East tour. Recorded, as usual, at Amhersts Biquiteen, the sessions for Sweep It Into Space began in the late Autumn of 2019, following a West Coast/South East tour.
And Sweep It Into Space is a masterpiece of zoned dialing. produces is nothing but a beautiful new version of the rock continuum - riff, power, beat and longing, created with an eye on the infinite future. But it would take more than a mere Plague to tamp down the exquisite fury of this trio when they are fully dialed-in. Originally scheduled for issue in mid 2020, this record's temporal trajectory was thwarted by the coming of the Plague. Is it still good? Damn right.Here is Sweep It Into Space, the fifth new studio album cut by Dinosaur Jr. Aufmerksam wurde ich 1994 auf die Band, als sie von Kiss den Song GOIN‘ BLIND coverten und diesen, mit anderen Künstlern, auf dem Kiss Cover Album KISS MY ASS veröffentlichten. Will 'Sweep It Into Space' change the world? Course not. SWEEP IT INTO SPACE ist schon das 12.te Album der Alternativ/Indie-Rocker aus Amherst, Massachusetts. Sometimes it's tempting to dismiss a band that have been around for this long, rather than celebrate their ability to still be crafting perfect fuzzy nuggets at this stage in their lives, and careers. Mascis' guitar work is suitably *chef's kiss* at points, wringing every emotion out of tracks like the soaring Barlow-sung' Garden' or the classic squeals and flourishes that have defined his style for nearly forty years now. From the jaunty Tom Petty-esque 'I Ran Away' to the more muscular 'I Met The Stones', it's the signature sound of a band that knows what they do well but still pushes gently at the edges of their world though things may begin to drift in the second half. You could justifiably expect diminishing returns when anyone's twelfth record comes along, but 'Sweep It Into Space' sees the trio still striving rather than settling. Returning after five years away, this time co-produced by Kurt Vile, it cements their position as the *still* reliable elder statesmen of the alt. Ihr Sound, als Form fast gezähmten La¨rms. Genau diese exquisite Power bringt das Trio endlich auch wieder auf die Bühne. Until their newest effort, it had seemed the Dinosaur of the 1980s had all been forgotten. Es ist, wie die ganze Band, ein Meisterwerk auf den Punkt gebrachter Energie.
now firmly settled in a run of comfortable middle-aged lo-fi treats. haben sich von der Pandemie nicht stoppen lassen und mit Sweep It Into Space ihr erstes Album seit Jahren eingespielt. After all of the turmoil of their early years, with band break-ups and albums that essentially became solo vehicles for J Mascis, it is almost a miracle that 'Sweep It Into Space' sees the original trio behind Dinosaur Jr.
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